Cyrillic
Toumarches
[hyperdox] And what did you think pews do? [/hyperdox]stanley123 said:An abomination is something that leads one to eternal damnation in hell.
[hyperdox] And what did you think pews do? [/hyperdox]stanley123 said:An abomination is something that leads one to eternal damnation in hell.
Pews enable one to sit down.Cyrillic said:[hyperdox] And what did you think pews do? [/hyperdox]stanley123 said:An abomination is something that leads one to eternal damnation in hell.
True, but they hinder movement, prostrations and are alien, rather like that other abomination the organ, surely?stanley123 said:Pews enable one to sit down.Cyrillic said:[hyperdox] And what did you think pews do? [/hyperdox]stanley123 said:An abomination is something that leads one to eternal damnation in hell.
But uncomfortably so. Anathema to uncomfortable seating.stanley123 said:Pews enable one to sit down.Cyrillic said:[hyperdox] And what did you think pews do? [/hyperdox]stanley123 said:An abomination is something that leads one to eternal damnation in hell.
You have an argument with some of your Orthodox Churches which have both pews and organs. I asked the wife of the priest at the local Orthodox Church as to why they use the organ in Church and she said that it was only to insure that people were singing on the correct key.Santagranddad said:True, but they hinder movement, prostrations and are alien, rather like that other abomination the organ, surely?stanley123 said:Pews enable one to sit down.Cyrillic said:[hyperdox] And what did you think pews do? [/hyperdox]stanley123 said:An abomination is something that leads one to eternal damnation in hell.
Verdi is good. Puccini is better, though.Arachne said:OT: Deciphering the libretto of Il Trovatore. My Italian sure is rusty. :-\
My mother-in-law would cry anathema.Cyrillic said:Verdi is good. Puccini is better, though;.Arachne said:OT: Deciphering the libretto of Il Trovatore. My Italian sure is rusty. :-\
Anathematising the truth is tricky businessArachne said:My mother-in-law would cry anathema.Cyrillic said:Verdi is good. Puccini is better, though;.Arachne said:OT: Deciphering the libretto of Il Trovatore. My Italian sure is rusty. :-\![]()
There's no accounting for tastes... else we of the rum 'n' raisin brigade are doomed.Cyrillic said:Anathematising the truth is tricky businessArachne said:My mother-in-law would cry anathema.Cyrillic said:Verdi is good. Puccini is better, though;.Arachne said:OT: Deciphering the libretto of Il Trovatore. My Italian sure is rusty. :-\![]()
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Our church did it in a few hours.Arachne said:Eh. When a church is 'inherited', ripping out the pews (and replacing them with chairs and stasidia) and organ can be too much of a bother and/or expense.
Cool. I'm reading Plato too: Apology and Republic.Cyrillic said:Plato - Gorgias and Protagoras
GabrieltheCelt said:In addition to the book on the Jesus Prayer, I just picked up
1. R. E. Lee by Douglas Southall Freeman. It's supposedly the definitive single-volume biography out there.
2. American Sphinx- The Character of Thomas Jefferson by Joseph J. Ellis. If David McCullough likes it, it should be good.
3. The Life of Johnny Reb- The Common Soldier of the Confederacy by Bell Irvin Wiley. He's also got a companion book about the common Union soldier that I'd like to get sometime.
Awesome. Those two are Plato's masterworks. The Apology is brilliant in its audacity. You might want to read Xenophon's version of Socrates' Apology alongside with it.Papist said:Cool. I'm reading Plato too: Apology and Republic.Cyrillic said:Plato - Gorgias and Protagoras
Then stop.Severian said:To my great shame, I still haven't finished "Fundamentals of Classical Arabic: Volume I." Memorizing all the various verb tenses is a serious pain.
I am not saying I want to stop. I love Arabic, it's one of my passions. It may be hard, but it is rewarding. I guess I just need to be a bit more disciplined and focused. I knew very well learning Classical Arabic (especially outside a classroom setting) would be difficult. When I start to university I'll get an opportunity to study the language in a more structured environment.biro said:Then stop.Severian said:To my great shame, I still haven't finished "Fundamentals of Classical Arabic: Volume I." Memorizing all the various verb tenses is a serious pain.
That's not a winner's mentality.biro said:Then stop.Severian said:To my great shame, I still haven't finished "Fundamentals of Classical Arabic: Volume I." Memorizing all the various verb tenses is a serious pain.
Great idea. This is my last semester of course work, and I'm taking a course on Plato.Cyrillic said:Awesome. Those two are Plato's masterworks. The Apology is brilliant in its audacity. You might want to read Xenophon's version of Socrates' Apology alongside with it.Papist said:Cool. I'm reading Plato too: Apology and Republic.Cyrillic said:Plato - Gorgias and Protagoras
Impressive. A few months ago I was allowed to follow an entire semester on Plato. Before students of classical languages I had to translate parts of the Symposium on the spot. Great fun.Papist said:Great idea. This is my last semester of course work, and I'm taking a course on Plato.Cyrillic said:Awesome. Those two are Plato's masterworks. The Apology is brilliant in its audacity. You might want to read Xenophon's version of Socrates' Apology alongside with it.Papist said:Cool. I'm reading Plato too: Apology and Republic.Cyrillic said:Plato - Gorgias and Protagoras
Now that is impressive. I suppose I'll have to learn Greek eventually.Cyrillic said:Impressive. A few months ago I was allowed to follow an entire semester on Plato. Before students of classical languages I had to translate parts of the Symposium on the spot. Great fun.Papist said:Great idea. This is my last semester of course work, and I'm taking a course on Plato.Cyrillic said:Awesome. Those two are Plato's masterworks. The Apology is brilliant in its audacity. You might want to read Xenophon's version of Socrates' Apology alongside with it.Papist said:Cool. I'm reading Plato too: Apology and Republic.Cyrillic said:Plato - Gorgias and Protagoras